Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
|---|---|---|---|---|---|---|
| Daniel Bernard Roumain | Darwin’s Meditation for the People of Lincoln | Full Orchestra | Violin | 20+ | Professional | 1110; 1110; 1 Percussion; Actor; Singer; Solo Violin; Piano/Celesta; Strings; Electric Bass |
| Florence Price | Dances in the Canebrakes | Full Orchestra | 5-10 | Professional | 2.2.2.2 / altosax / 3.3.2.0 / timp +1 Perc. / harp / str | |
| Nathaniel Dett | Pathways of progress | Full Orchestra | Professional | 222[1.2/bcl] 2-2-sx (2-asx, tsx opt.)-4231-tmp, prc (incl. xy), pn, 1-hp, str | ||
| Frederick C. Tillis | Festival Journey for Solo Percussion and Symphony Orchestra | Full Orchestra | 20+ | Professional | Solo Drumset, Pic-2-2-2-2,4-3-3-1, 2perc, Timp, Str | |
| Billy Childs | The Distant Land | Full Orchestra | Professional | |||
| William Grant Still | A Deserted Plantation (version 1) | Full Orchestra | Piano | 10-20 | Professional | 2.2+EH.4.1 +4 sax/1.3.3.1/timp + 1/banjo+guitar /hp, pno/str |
| Reynard Burns | Ride That Chariot | String Orchestra | 5-10 | Grade 3 | Strings | |
| Hall Johnson | Spiritual Moods | Chamber | 20+ | Professional | male chorus; 2323-4221-timp3-bells-cel-glock-hp-str | |
| William Grant Still | Three Dances from La Guiablesse | Full Orchestra | Professional | 3(3rd=picc).2+EH.3.2/4.3.3.1/timp+1/hp/str | ||
| Duke Ellington | Harlem | Full Orchestra | 10-20 | Professional | 2[1.2/Picc] 2[1.2/Bcl] 2-Asx(2)Tsx(2), Bari-4331- timp-perc(2)-hp-str |