Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
|---|---|---|---|---|---|---|
| Nkeiru Okoye | Voices Shouting Out | Full Orchestra | 5-10 | Professional | 3[1.2.pic] 2 3[1.2.Bcl] 2 - 4321 - Tmp+3Perc - Hp - Str | |
| Coleridge-Taylor Perkinson | Commentary; a concert piece in two parts based on Troubled waters and the provocation of the age-old quest for equality | Full Orchestra | Professional | |||
| Eleanor Alberga | Arise, Athena! | Full + Chorus | Under 5 | Professional | 3(picc).3.3(bcl).3(cbn)/4.3(ptpt).3(btbn).1/timp.3perc/2hp/SATB/org/str | |
| William Grant Still | Mother and Child | String Orchestra | 5-10 | Professional | str | |
| Julia Perry | The Cask of Amontillado | Full + Mixed Chorus + Soloists | Baritone, Tenor, Mezzo | 20+ | Professional | 3 Vo, Mx Cho; 2(pic)-1,Eh-E flat,2,b cl-1; 2-1-1-1; timp-perc-hp-pno; str. Cast: Montressor (Br), Fortunado (T), Street Woman (M), A few masqueraders (female vo); mx cho |
| Samuel Coleridge-Taylor | Scenes from an Everyday Romance, op. 41 | Full Orchestra | 10-20 | Professional | 3[1.2.3/pic] 222-4230-tmp-perc(2)-hp-str | |
| Eleanor Alberga | Overture: “Jupiter’s Fairground” | Full Orchestra | 10-20 | Professional | 2(picc).2.2.2/2.2(C).1.0/timp/str | |
| Julia Perry | Module for Orchestra | Professional | ||||
| William Grant Still | Dances in the Canebrakes (Orch. of work by Florence Price) | Full Orchestra | 5-10 | Professional | 2.2.2.2 +altosax/ 3.3.2.0/ timp + perc/ harp/ str | |
| Coleridge-Taylor Perkinson | Concerto, Violin | Full Orchestra | Violin | 10-20 | Professional |