Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration | Number of Movements |
|---|---|---|---|---|---|---|---|
| Bill Banfield | It's All Good My Brother | Professional | |||||
| Eleanor Alberga | Tower | Full Orchestra | String Quartet | 10-20 | Professional | 2(picc).2.2.2/2.2.0.0/timp/str + str 4tet solo | 1 |
| Daniel Bernard Roumain | Grace | Chamber Orchestra | 5-10 | Professional | 1111; 1110; 1 Percussion; 2 Soprano voices; Strings; Electric Bass | ||
| James Lee, III | Emotive Transformations | Full Orchestra | 10-20 | Professional | 2222; 2200; timp; stgs | ||
| William Grant Still | Florida Blues | Full Orchestra | Professional | 1.0.1.0 /0.2(cornets).1.0 / 2 perc (drums, cymbs., trian., block.) /pno / str | |||
| William Grant Still | Puritan Epic | Professional | |||||
| Andre Myers | Let Evening Come | Chamber | 5-10 | Professional | 2222-2hn, 2trpt, 2 trb-pn-timp, 1 perc-strings | ||
| William Grant Still | Preludes | String Orchestra | Chamber | 10-20 | Professional | string orchestra, flute, pno. | ||
| Dorothy Rudd Moore | Symphony No. 1 | Full Orchestra | 10-20 | Professional | Picc, Bcl, Cbn, 2[1.2/pic] 2[1.2/Bcl] 3 2[1.2/Cbn]-4331-timp-perc(3)-str | ||
| Earl Lewis Stewart | Corsica | Chamber | Viola | Under 5 | Professional |