Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
|---|---|---|---|---|---|---|
| Trevor Weston | Orchestral Study No.1 | Chamber Orchestra | 5-10 | Professional | ||
| Hale Smith | A change has got to come | Full Orchestra | Tenor | 5-10 | Professional | |
| Mable Bailey | Silent Night | Full Orchestra | Professional | 2[1.2/pic] 2 [1.2/eng] 11-2223-timp.perc-str-harp | ||
| Jeffrey Mumford | . . . and symphonies of deepening light . . . expanding . . . ever cavernous | Full Orchestra | 10-20 | Professional | (4,4,4,2) (4,2,2,1) (timpani, marimba, 2 harps, piano) (strings) | |
| Daniel Bernard Roumain | Human Songs and Stories for Orchestra, Narrator, and The People | Full Orchestra | Narrator | 20+ | Professional | 3333; 4331; Timpani; 3 Percussion; Harp; Strings; Narrator; 6 People (minimum) |
| Malcolm Solomon | Music for the Failed and Forgotten | String Orchestra | Professional | |||
| Mary D. Watkins | Soul of Remembrance for Chamber Orchestra (arr. Nan Washburn) | Chamber | 5-10 | Collegiate or above | 2222,2200, harp or piano & strings | |
| William Grant Still | Dark Madonna | Full Orchestra | Professional | 2.2.2.2+3 sax / 4.2.3.1/ timp +1 (drums) / ten banjo/ str | ||
| Avril Coleridge-Taylor | Piano Concerto in F minor, op. 27 | Full Orchestra | Professional | |||
| John Aaron Lewis | Alexander's Fugue | String Orchestra | Vibraphone, Piano, Bass, Drum set | 5-10 | Professional | str |